26 AUGUST, WEDNESDAY (National Library)
| Time |
Description |
| 8.30–9.30 |
Registration II |
| 9.30–11.00 |
Session 1: Latin tradition
Chair: Grantley McDONALD
- Elżbieta WITKOWSKA-ZAREMBA: Patterns of music education in Central Europe in the late 14th–early 16th centuries
- Francesco Rocco ROSSI: From Hollandrinus to Florentius Musicus (through Goschalcus): the reception of coniuncta in Italy in the 15th century
- Bartosz AWIANOWICZ: The Graeco-Latin vocabulary of Petrus Wilhelmi de Grudencz
|
| 11.30–13.00 |
Session 2: Chant
Chair: Jiří KROUPA
- Veronika MRÁČKOVÁ: Staff notation in the sources of the St George monastery in Prague
- Eva VESELOVSKÁ: Medieval notations of the Slovakia region’s sources from the turn of the 15th/16th centuries
- Jolanta BYCZKOWSKA-SZTABA: The Cracovian chants for the feast of St Johannes Elemosynarius (first half of the 16th century) in the context of his worship in Central Europe
|
| 11.30–13.00 |
Session 3: Prussia – 16th century
Chair: Agnieszka LESZCZYŃSKA
- Stefan GASCH: Senfl’s compositions for Duke Albrecht of Brandenburg-Prussia
- Christian Thomas LEITMEIR: Teodoro Riccio’s Liber Primus Missarum (1579): a musical ambassador between Prussia and Poland
- Danuta POPINIGIS: Die Sing-Glocken zu Füßen von König Sigismundus August
lunch break
|
| 15.00–16.00 |
Session 4: Music in monasteries
Chair: Barbara EICHNER
- James BOYCE, O. Carm.: A medieval tale of two cities: Prague, Kraków and the Carmelite choir books
- Magdalena WALTER-MAZUR: On how the nuns sang Vespers in fractus - the alternatim practice in liturgical music of Polish female Benedictines
|
| 16.30–18.00 |
Session 5: Expansion of Italian culture
Chair: Elżbieta WITKOWSKA-ZAREMBA
- Gioia FILOCAMO: The musical taste of Ippolito I d’Este, Archbishop between Hungary and Italy
- Grantley McDONALD: Laurentius Corvinus and the Hours of the Passion at St Elisabeth’s church, Breslau
- Reinald ZIEGLER: Zum Transfer von Kompositionstechniken im konfessionsverschiedenen Umfeld am Beispiel Monteverdi
|
27 AUGUST, THURSDAY (National Library)
| Time |
Description |
| 9.30–11.00 |
Session 6: Italians in Poland
Chair: Gioia FILOCAMO
- Donatella MELINI: Alexandro Pesienti Veronese, musicho nostro diletissimo
- Aleksandra PATALAS: Asprilio Pacelli’s music for the Cappella Rorantistarum at Wawel
- Julia MILLER: Luca Marenzio: questions of performance in Poland and Italy
|
| 11.30–13.00 |
Session 7: Latin schools of the 15th-century Czech lands and music
Chair: Jacobijn KIEL
- Jan CIGLBAUER: Neumarkter Cantionale: Geistliche lateinische Lieder um 1470 und ihre Vergangenheit in mitteleuropäischen Handschriften
- Luboš PROCHÁZKA: Der Kodex Strahov und Budweis um 1470. Zur Frage der Provenienz einer böhmischen Quelle
- Lenka MRÁČKOVÁ: Das Repertoire des Kodex Strahov. Bemerkungen zur Entstehung eines neuen Kataloges dieser böhmischen Quelle
|
| 11.30–13.00 |
Session 8: Jagiellonian echo in later epochs
Chair: Agnieszka CHWIŁEK
- Anna RYSZKA-KOMARNICKA: Leonardo Vinci’s Il Gismondo re di Polonia – opera seria with an episode from the reign of King Ladislaus Jagiełło
- Marco BEGHELLI: Jagiellonians on the rebound: Zygmunt in Italy
- Teresa KRUKOWSKI: Wie europäisch war das musikalische Repertoire der polnischen reformierten Kirche im 16. Jh. und wie europäisch ist es heute?
lunch break
|
| 14.30–16.00 |
Session 9: Great 15th-century manuscripts
Chair: Lenka MRÁČKOVÁ
- Ian RUMBOLD: Austrian or Bavarian? Hermann Pötzlinger’s music book (Munich 14274)
- Helena MATĔJČKOVÁ: An anonymous four part Sanctus in the Codex Speciálník. Some remarks on compositional practice in Bohemia before 1480
- Tomáš HAMPL: The motets by Josquin and his contemporaries in the Codex Speciálník. On the relationship between the imported and the local repertories
|
| 16.30–18.00 |
Session 10: Iconography and Eastern tradition
Chair: Sławomira ŻERAŃSKA-KOMINEK
- Łukasz KOZAK: Musical instruments in Polish paintings in the 14th and the 15th centuries: borrowings, endemics and iconographic tradition
- Dominika GRABIEC: Music in the iconography of the Passion of Christ
- Oksana SHKURGAN: Seventeenth-century manuscript sources of the partesniy singing which originated in the Polish territory
|
28 AUGUST, FRIDAY (National Library)
| Time |
Description |
| 9.30–11.00 |
Session 11: Bohemia – 16th century
Chair: Ian RUMBOLD
- Jan KOLÁČEK: The graduals of the Prague scribe Jan Kantor Stary: the mainstream of Bohemian Utraquists
- Scott EDWARDS: Latinizing the laity: metrical psalms in sixteenth-century Bohemia
- Katelijne SCHILTZ: Roses, alchemy and a garden of canons: the anthology Suavissimae et iucundissimae harmoniae (Nuremberg, 1567)
|
| 11.30–13.00 |
Session 12: Three lands: Lithuania, Croatia, Lusatia
Chair: Marc DESMET
- Jūratė TRILUPAITIENĖ: Jagiellonian dynasty musical culture of the Grand Duchy of Lithuania: between sacrum and profanum
- Hrvoje BEBAN: Inter arma (non) silent musae. Renaissance musical culture in Croatia during the reign of the Jagiellon dynasty
- Thomas NAPP: Cultural transfer and spatiality in early modern Central Europe
lunch break
|
| 14.30–15.30 |
Session 13: Great 16th-century composers
Chair: Katelijne SCHILTZ
- Marc DESMET: Establishing a chronology of Jacob Handl’s masses. Evidence and problems
- Tobias APELT: Vorstellung der Datenbank Orlando di Lasso. Seine Werke in handschriftlicher Überlieferung
|
| 16.00–17.30 |
Session 14: Music and diplomacy
Chair: Stefan GASCH
- Paweł GANCARCZYK: Music and diplomacy at the court of the Teutonic Order in Prussia
- Elżbieta ZWOLIŃSKA: Einige Bemerkungen zu den musikalischen Beziehungen zwischen dem Hofe der letzten Jagiellonen und dem Habsburgerhause
- Barbara PRZYBYSZEWSKA-JARMIŃSKA: An overlooked fantasia for instrumental ensemble by Francesco Maffon – a vestige of Paweł Działyński’s diplomatic mission to England in 1597?
|
| 19.30–20.30 |
Concert II (Church of Visitation of Blessed Virgin Mary) |
